"Because you were closeted with him here so long. You can't pretend at present, you know, not to have any art." "For you, of course—to entreat me to give you up. She thinks me awfully designing—that I've taken some sort of possession of you."!

"For what do you take me? I wasn't such a donkey." "I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed.

The meeting of the two couples was sensibly awkward, and Fleda, who was sagacious, took the measure of the shock inflicted on Mrs. Gereth. There had been intimacy—oh yes, intimacy as well as puerility—in the horse-play of which they had just had a glimpse. The party began to stroll together to the house, and Fleda had again a sense of Mrs. Gereth's quick management in the way the lovers, or whatever they were, found themselves separated. She strolled behind with Mona, the mother possessing herself of her son, her exchange of remarks with whom, however, remained, as they went, suggestively inaudible. That member of the party in whose intenser consciousness we shall most profitably seek a reflection of the little drama with which we are concerned received an even livelier impression of Mrs. Gereth's intervention from the fact that ten minutes later, on the way to church, still another pairing had been effected. Owen walked with Fleda, and it was an amusement to the girl to feel sure that this was by his mother's direction. Fleda had other amusements as well: such as noting that Mrs. Gereth was now with Mona Brigstock; such as observing that she was all affability to that young woman; such as reflecting that, masterful and clever, with a great bright spirit, she was one of those who impose themselves as an influence; such as feeling finally that Owen Gereth was absolutely beautiful and delightfully dense. This young person had even from herself wonderful secrets of delicacy and pride; but she came as near distinctness as in the consideration of such matters she had ever come at all in now surrendering herself to the idea that it was of a pleasant effect and rather remarkable to be stupid without offense—of a pleasanter effect and more remarkable indeed than to be clever and horrid. Owen Gereth at any rate, with his inches, his features, and his lapses, was neither of these latter things. She herself was prepared, if she should ever marry, to contribute all the cleverness, and she liked to think that her husband would be a force grateful for direction. She was in her small way a spirit of the same family as Mrs. Gereth. On that flushed and huddled Sunday a great matter occurred; her little life became aware of a singular quickening. Her meagre past fell away from her like a garment of the wrong fashion, and as she came up to town on the Monday what she stared at in the suburban fields from the train was a future full of the things she particularly loved. "We're together, we're together," Mrs. Gereth lifelessly repeated. "That's all we are now; it's all we have." The words brought to Fleda a sudden vision of the empty little house at Ricks; such a vision might also have been what her companion found in the face of the stopped Dutch clock. Yet with this it was clear that she would now show no bitterness: she had done with that, had given the last drop to those horrible hours in London. No passion even was left to her, and her forbearance only added to the force with which she represented the final vanity of everything. That did for the time, and she had moreover, as the months went on, the protection of suspended allusions. This protection was marked when, in the following November, she received a letter directed in a hand at which a quick glance sufficed to make her hesitate to open it. She said nothing, then or afterwards; but she opened it, for reasons that had come to her, on the morrow. It consisted of a page and a half from Owen Gereth, dated from Florence, but with no other preliminary. She knew that during the summer he had returned to England with his wife, and that after a couple of months they had again gone abroad. She also knew, without communication, that Mrs. Gereth, round whom Ricks had grown submissively and indescribably sweet, had her own interpretation of her daughter-in-law's share in this second migration. It was a piece of calculated insolence—a stroke odiously directed at showing whom it might concern that now she had Poynton fast she was perfectly indifferent to living there. The Morning Post, at Ricks, had again been a resource: it was stated in that journal that Mr. and Mrs. Owen Gereth proposed to spend the winter in India. There was a person to whom it was clear that she led her wretched husband by the nose. Such was the light in which contemporary history was offered to Fleda until, in her own room, late at night, she broke the seal of her letter.